Ultimate Practice Routine Vol 1

NO Reading required!

Chapter 1

I talk about and demonstrate using my Full Range Concept applying it to triads derived from major scale harmony. This will start you on the path to being able to play from the lowest to the highest notes on the bass in whatever tonality you are working with.

Chapter 2

I expand on this idea, and look at taking different triad inversions across the fingerboard. This gets us into being comfortable targeting non root chord tones in our walking lines and solos.

Chapter 3

I take the modes derived from the Major Scale and show you alternate fingerings for all of them. I also look at ways to practice this alternating between each.

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